Porte Gli Inferi -

Positioned at the center of the lintel, originally intended as Dante himself contemplating his creation, though it has since become a universal symbol of philosophical reflection.

In 1880, the French government commissioned Rodin to create a set of decorative doors for a planned Museum of Decorative Arts in Paris. While the museum was never built, Rodin continued to obsessively work on the project for until his death in 1917. Porte Gli inferi

The phrase (Italian for "The Gates of Hell") most commonly refers to Auguste Rodin's monumental sculptural masterpiece, La Porte de l'Enfer . This lifelong project served as a creative laboratory for the artist, eventually spawning some of his most famous individual works, including The Thinker and The Kiss . The Masterpiece: Rodin’s "The Gates of Hell" Positioned at the center of the lintel, originally

A group of three identical figures at the very top whose arms point downward toward the gates, signaling the hopelessness of those who enter. The phrase (Italian for "The Gates of Hell")