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The track is characterized by a "chunky," mid-tempo groove typical of the era's transition from disco to electro-funk.
: The song relies on a steady, programmed drum machine beat. It features a crisp snare and a consistent 4/4 kick pattern that provides a solid "danceable" floor for the track's eight-minute duration. Oliver Cheatham - S.O.S. (Long 12 inch Version) sound
The extended 12-inch version (often listed around 6:24 minutes, though some pressings vary) is designed for club play: The track is characterized by a "chunky," mid-tempo
: Features longer instrumental sections and "vamp" parts that allow DJs to transition smoothly. The extended 12-inch version (often listed around 6:24
: The mid-section often drops back to the essential rhythm and bass components, highlighting the "S.O.S." vocal hook before rebuilding into the full arrangement.
Experience the groove of the 12-inch version and its 80s production style through these recordings: Oliver Cheatham - S.O.S. (Long 12 inch Version) HQsound YouTube · RBsound Holland (Soul & Jazz Café) OLIVER CHEATHAM - S.O.S. (12'' Version) [HQ] YouTube · SOS_FM Oliver Cheatham - S O S (12'' Version) YouTube · Luiz Eduardo Carvalho Oliver Cheatham – S.O.S. | Releases - Discogs
Released in 1986, is a synth-heavy funk and post-disco gem that showcases Oliver Cheatham's smooth, soulful tenor against a polished, mid-tempo electronic backdrop. While Cheatham is best known for his 1983 hit "Get Down Saturday Night," "S.O.S." represents the evolution of his sound toward the more digital production style of the mid-80s. Sound Character & Production
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