Время до конца тренировки обычно идет медленно.
Это заговор производителей тренажеров.
Собью эту тарелку и еще вот эту, добью до 20 звезд.
Нет, лучше до 30. Ух, уже 20 минут пролетели!
Готов залипать в сериалы, а тренажер стал вешалкой?
Есть решение - Ленивчик от Fitness Games.
Уникальная игровая система для кардиотренажеров, позволяет играть в мини-игры при занятии фитнесом. Теперь вам не придется смотреть на унылые цифры времени, оставшегося до конца тренировки!
Принцип работы - контроллер Fitness Games отслеживает темп, с которым ты занимаешься на тренажере и управляет персонажем в мини-игре, запущенной на твоем телефоне/планшете/тв-приставке, подключается к ним по bluetooth. Устройство не требует подключения к тренажеру, достаточно положить его рядом и направить на движущуюся часть (педаль или шатун).
Подробнее
While her sister Claire thrives on order, Justine is paralyzed by the absurdity of the celebration. Part II: The Clarity of the End
💡 The film argues that those who suffer from deep melancholy possess a unique "clairvoyance" that allows them to remain steady when society's structures finally fail.
Justine’s struggle to maintain a happy exterior represents the "performance" required by society.
Melancholia suggests that the "depressed" individual may be the only one equipped to handle a truly hopeless reality. By stripping away the distractions of life, the film presents the apocalypse not as a tragedy, but as a moment of profound, albeit dark, truth.
The opening sequence acts as a dreamlike summary, showing the collision of planets.
The first half of the film, titled "Justine," focuses on a lavish wedding reception. Here, von Trier highlights the suffocating nature of social expectations.
Justine’s depression has already prepared her for the end of the world. For her, the planet's arrival is a literal manifestation of her internal state.
While her sister Claire thrives on order, Justine is paralyzed by the absurdity of the celebration. Part II: The Clarity of the End
💡 The film argues that those who suffer from deep melancholy possess a unique "clairvoyance" that allows them to remain steady when society's structures finally fail.
Justine’s struggle to maintain a happy exterior represents the "performance" required by society.
Melancholia suggests that the "depressed" individual may be the only one equipped to handle a truly hopeless reality. By stripping away the distractions of life, the film presents the apocalypse not as a tragedy, but as a moment of profound, albeit dark, truth.
The opening sequence acts as a dreamlike summary, showing the collision of planets.
The first half of the film, titled "Justine," focuses on a lavish wedding reception. Here, von Trier highlights the suffocating nature of social expectations.
Justine’s depression has already prepared her for the end of the world. For her, the planet's arrival is a literal manifestation of her internal state.
Полезная информация о нашей игровой системе
Настала пора навсегда изменить кардиотренажеры и тренировки на них