The film follows two aimless, amoral drifters—Jean-Claude and Pierrot—as they wander through the French countryside. They commit petty crimes, steal cars, and engage in a series of increasingly transgressive and often non-consensual sexual encounters. Joining them is Marie-Ange, a sexually passive woman they "abduct" who becomes their traveling companion. 🌪️ Why It’s Controversial
It is a rare French example of the "road movie," blending American influences with a uniquely European sense of poetic anarchy.
Gérard Depardieu (Jean-Claude), Patrick Dewaere (Pierrot), Miou-Miou (Marie-Ange), along with Jeanne Moreau and a young Isabelle Huppert . @Adults_Links Going places 1974 @FrenchAdultMovies.mkv
For those looking to explore this cinematic piece, it is currently available to watch on platforms like Netflix and Apple TV .
Critics and feminists have long debated whether the film is an exploration of misogyny or inherently misogynistic itself. Many scenes, played for dark humor, depict what would today be classified as sexual assault or rape. 🌪️ Why It’s Controversial It is a rare
"Going Places" was a massive box office hit in France, drawing nearly six million viewers, yet it sparked immediate outrage.
Unlike traditional narratives, the protagonists face almost no consequences for their actions, waltzing through a spree of lawlessness that challenges bourgeois social norms. 🏆 Legacy and Cult Status Critics and feminists have long debated whether the
Despite—or perhaps because of—its "succès de scandale," the film is now considered a cult classic of post-New Wave French cinema.